![]() Usually it is the key thing in the composition, a boat on a beach, a tree on a hill, a figure on a cliff. Moving stuff around also becomes harder and really an idea of the rules of perspective is required to carry it off in many cases. If our perspective is out then the viewer has the choice of either thinking the building is distorted, or the artist got it wrong… I’m afraid they will always go for the latter. Such a subject is also more mutable so we can easily make alterations to improve our composition.Ī townscape with people and cars requires more careful drawing because the bounds, between which people will feel things look wrong, are narrower. A subject consisting of hills and trees requires less precision, but still requires an understanding of general characteristics. What needs drawing out and to what degree. I certainly take a different approach to drawing out a cityscape than I do for a landscape. ![]() The process is so ingrained that I find it quite hard to break down the steps I take. Typically it takes me about 5 to 10 min to do my drawing out. Parts of the process become too obvious to mention when trying to help another artist who is struggling with a tricky scene. ![]() ![]() When you have learnt something to a certain standard you often forget what gave you so much trouble when you first started learning. ![]()
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